神秘博士第十季

　　某医科大学被曝在入学考试中刻意压低女性考生分数。为查清真相，报社记者檜叶菊乃（松本若菜 饰）展开独立调查，并将目标锁定在医大理事神林晴海（铃木保奈美 饰）身上。神林巧妙回避追问，檜叶却坚信她是关键，步步逼近事实。在男性主导的社会中，两位女性各自背负信念与伤痕正面交锋，这场对峙最终将迎来出乎意料的走向。本作描绘女性为追求幸福、对抗不公而奋起的社会派娱乐作品。
　　本剧改编自月村了衛的同名原著小说。

东方的大海上，有座风景秀丽、灵气充裕的小岛“浮光岛”。三百年前，浮光岛涌现出许多妖怪作乱。猫猫神“岚”在山上的一棵古树下施法，祛除了它们。岛民为了供奉猫猫神，在古树下建起了“浮光神社”。自此，岛上有结界守护，妖怪很少出现。怀有执念的小猫却有机会化作人形、猫耳、猫尾的猫灵。

吴薇薇为母亲报仇，以一份叶寂凉母亲的秘密资料为条件，与他做了一场交易，她要成为他名义上的未婚妻，而她把资料给他，本以为结束后两个可以互不相欠，哪知她想的还是太简单了。

《正义红师》是由中国人民解放军八一电影制片厂和深圳市方块动漫画文化发展有限公司联合出品的二维加三维高水准动画。这部国内首部以科幻军事题材为背景的动画片，主要讲述中国军人在遇到来自外星未知威胁时，使用高新科技武器排除万难、浴血奋战、保卫家园的热血励志故事。

霸道女帝遭相伴一生的伴侣背叛，意外穿越到了现代社会，踏上寻找负心汉复仇的漫漫长路，而现实却是一心复仇反被撩。两人在一次次的惊险事故中，苏狸确定了林息对自己的真心，当年的刺杀事件的真相也慢慢浮出水面，两人最终修成正果。

《魔晶猎人》是一部架空世界观的少年热血动作冒险题材动画系列片，是专门针对青少年成长阶段话题而创作的动画作品。在“魔晶”能量体系下和人类与精灵龙兽共存的幻想世界中，几个少年为了实现成为魔晶猎人的梦想，寻找自由和爱的意义，在与精灵龙兽的竞技中，不断成长，最终成为懂得宽容、懂得生命可贵的真正勇者和龙兽最好的朋友。

重生醒来，林雅夕又回到车祸的前一小时，尝尽前世心酸悲凉的她誓要改变命运。上一世未婚夫和绿茶把她的婚姻和生活判了死刑。这一世看她如何搅得天翻地覆。 暗中观察的陈翊，竟然对林雅夕有了特别的关心，这个无处不在的腹黑男人，到底有什么秘密。 看纨绔草包小公主翻身成为霸道娇妻，携手腹黑男主一路踩渣男，踢茶女，相爱相杀甜蜜一生。

维达和亚瑟来自于两个完全不懂的生活背景，感性动人， 有时候古怪忧伤，却始终真诚如一。　　全新演绎一段夹在两个矛盾冲突的家庭之间的现代茱莉亚和罗密欧故事。

因为特殊的工作要求，一对新婚夫妇被迫分居，面对异地婚姻带来的麻烦、问题——当然还有欢笑

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

农民拉条子（陈建斌 饰）在镇上遇到一个讨饭的傻子（金世佳 饰），傻子跟着他回了家。拉条子贴了寻人启示，不久有人认领了傻子。紧接着又有自称傻子的家人陆续出现，说拉条子把傻子卖了。麻烦接踵而至，拉条子自知上当受骗却有口难言，他想不明白，好事怎么就成了坏事？他开始以一位农民最淳朴的办法想自证清白。而为了寻找傻子，他成了另一个到处缠着别人的傻子……　　影片根据短篇小说《奔跑的月光》改编，陈建斌自编自导自演的处女作。

《拳击手》获得了爱丁堡国际电影节最佳英国电影奖提名、最佳男主角提名等多项殊荣。本片讲述：拳击手威廉·麦克 雷正当事业的顶峰期，妻子被诊断出癌症。由于他长期忙于训练，和儿子们的关系非常淡薄。威廉正在伤心之时，传来个更大的噩耗——大儿子丹尼因为不愿意滥杀无辜被黑帮老大打死。威廉和小儿子罗伯特在朋友们的帮助下，找到了凶手，罗伯特决定报警，愤怒的威廉却冲进了仓库……