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由于政府因气候变化实施的措施，引发了一场未来的内战。妮娅、她的妹妹佩妮以及她的男友伊森正在躲藏，这时一个民兵组织的领袖及其追随者来到了他们的家门口。
A rebellious two-spirit teenager runs away from home to find his birth mother and reclaim his Mi'kmaw heritage.
After their father's death two sisters reunite at their childhood home to uncover forgotten secrets and rip open old wounds.
A cultural snapshot of turn-of-the-millennium Toronto with subtle comic energy and a great cast, Sook-Yin Lee’s adaptation of Chester Brown’s autobiographical 2011 graphic novel is a movie only Lee could make… because it’s her story, too.
“天空是我们的边界。”弗蕾德（苏珊·克莱门特 Suzanne Clément 饰）这样告诉那些好奇打探她对男友劳伦斯（梅尔维尔·珀波 Melvil Poupaud 饰）变性有什么看法的人。那是1989年，她相信她们这代人已可以接纳变性人了。只是无论弗蕾德还是劳伦 斯，都要用近十年时间发现，真正手足无措的是他们自己。电影以闪回倒叙的手法讲述一个女人同她的变性男友之间跨越世纪的情缘。对劳伦斯来说，变性是生存的前提，是令他在水底闭气30年终于呼吸的第一口氧气。然而劳伦斯只是决定了自己的性别，他没想过变性后的人生，他更没有想过，要用十年来验证和生命中最重要的朋友/恋人——弗蕾德的感情。
《双面劳伦斯》是加拿大年轻导演泽维尔·多兰的第三部剧情长片，也是多兰从影以来最富野心和史诗风格的作品。与前作相比，本片不再带有那么强烈的自传色彩。然而多兰巧妙的从特异边缘角色身上提炼出人类感情的共性——那些热恋、争执、动摇、变质与重构背后的内核，从而让主题回归到自己最得心应手的“多兰美学”：信仰和追逐那些“不可能之爱”。《双面劳伦斯》入围第65届戛纳电影节“一种关注”单元，获得该单元的最佳女主角奖以及年度酷儿棕榈大奖
找到被冻在冰雪中的现金的学生，带着迷茫游客的导游，辞职后去看望母亲的男人，三条故事线交织，身份变得模糊。 影片使用波斯语和法语，曾入围2024年戛纳导演双周并斩获观众选择奖。
两个自童年已是好朋友的学生一起为功课制作一部短片，二人因剧情需要而接吻。这亲密的一刻引发了一连串事件的连锁反应，由最初一些让他们挥之不去的问题：如他们的爱好，他们的性取向，到后来甚至改变了他们之间友谊的性质和关系，甚至更广泛地改变了他们的社交圈。
After the parties, jobs, and hook-ups well into their thirties, eight friends are trying to hold on ...
美丽姑娘玛丽·梅森（凯瑟琳·伊莎贝尔 Katharine Isabelle 饰）是一所医学院的在读学生，她只身一人在外求学，对爱情一类的全然没有兴趣，闲暇时分独自在家做做模拟手术打发时光，所取得的成绩得到授课教授的盛赞。虽然还未取得行医执照，但玛丽显然已无法抑制走上手术台的勃勃欲望。偶然机缘，她进入一个地下世界，做了两起小手术。成就感和丰厚的报酬令她兴奋不已。就在此时，她接到教授的邀请，进入一个私人聚会，却遭遇了最不堪回首的夜晚。这一事件让玛丽内心深处的黑暗彻底释放，对恶人的憎恶，对手术的渴望，全部裹挟在一起，踏上了亵渎肉体和造物的旅途…… 本片荣获2012年尖叫电影节最佳女主角奖（Katharine Isabelle）、最佳剧本奖、最佳导演奖和最佳化妆奖。
A raw look at the effects of childhood trauma through the eyes of two estranged cousins.
In a small, remote village in upstate Quebec, things have changed. Locals are not the same anymore - their bodies are breaking down and they developed an outlandish attraction for flesh.
Facing a long winter of lockdown and combating a bad case of writer’s block, filmmaker Eric agrees to get a dog with his girlfriend Allie. A modern couple – vegan, ethical, millennial, neurotic – much research and negotiation leads to the arrival of Milly, a rescue from the Dominican Republic. This sets off a riotous chain of new challenges on how to best deal with this addition to the household. As Eric contends with a sinister dog-training programme, his introspection spills out onto his film work, with poor Allie and Milly taken along for the ride. The couple each pursue their own deepheld individual questions surrounding trust, purpose and roots, while wrestling with the idea of what it means to be a modern family. Milly, in the meantime, has a lot on her paws with these two!
Part rom-com, part rescue-dog story, part autofiction, part self-indictment, part family scrapbook, this debut feature was made with remarkable economy and displays a disquieting amount of (often hilarious) emotional authenticity. Filmmaker Ben Petrie and creative collaborator Grace Glowicki play the young couple and in doing so, capture nothing less than what it means to be human.
